Strength in Numbers – The Telluride Sessions [1989]

First, I’ll let the lineup speak for itself:

Sam Bush - fiddle/mandolin

Jerry Douglas – dobro

Bela Fleck - guitar/banjo

Edgar Meyer – bass

Mark O'Connor - fiddle/guitar/mandolin

Strength in Numbers was a one-off project for some of the most highly regarded current blue/newgrass musicians. Yet for all the star power, the music never feels like there are too many cooks in the kitchen.  In fact, save for a few somber numbers, the album is surprisingly breezy and relaxed, though the careful listener will quickly appreciate the firm structure beneath each track.  It’s a testament to the collaboration that for all the virtuosity on display, it never becomes overbearing, and individual ego seems to take a back seat to making good music.

[Youtube] Strength in Numbers - One Winter's Night

Strength in Numbers – The Telluride Sessions [1989]

01 - Future Man

02 - Texas Red

03 - Pink Flamingos

04 - Duke and Cookie

05 - One Winter's Night

06 - Macedonia

07 - The Lochs of Dread

08 - No Apologies

09 - Slopes

10 - Blue Men of the Sahara

Ferrari Mediafire

Oh hi there.   I've decided to pull this blog out of cryogenic stasis.  THIS FUTURE WORLD IS FRIGHTENING AND UNFAMILIAR.  I've also decided to switch to Mediafire for hosting my files.  Still using zip files, though.  If you don't like it, feel free to bite my frozen ballsack.

Winter Solstice IX Compilation

Presenting Ferrari Naptime's first seasonal compilation! This is a roundup of tracks from each of the artists featured on this blog from the previous season.  At my current rate of output, The vernal equinox compilation will be an EP.

For the uninitiated, simply click on the album title above the tracklisting, choose "free user," wait the required 95 seconds, and then click "download." Unzip and feel free to lambaste my musical tastes!

Winter Solstice IX
01 - Guillaume Dufay - J'ay Mis Mon Cuer
02 - Soil & Pimp Sessions - Crush!
03 - Jenny Lewis & The Watson Twins - Rise Up With Fists
04 - Grace Jones - Private Life
05 - Needle Sharing - Yellow Pages [task force mix]
06 - Old Crow Medicine Show - James River Blues
07 - Meg Lee Chin - Heavy Scene
08 - Kaki King - Close Your Eyes And You'll Burst Into Flames
09 - Trollfest - Der Jegermeister
10 - Screamin' Jay Hawkins - Little Demon
11 - Maruosa - Death Stretch
12 - Error - Nothing's Working
13 - Cubanate - Vortech I
14 - Carpathian Forest - Start Up The Incinerator (Here Comes Another Useless Fool)
15 - Blind Lemon Jefferson - Matchbox Blues
16 - Gridlock - Cramp
17 - The Kilimanjaro Darkjazz Ensemble - Munchen

Gridlock – Further [1999]

As the nineties drew to a close, a lot of electro-industrial acts headed for the greener pastures of IDM. This would eventually contribute to a glut of middling rhythmic noise projects, but a few gems were created in the flux of bands who remembered their Skinny Puppy roots while reaching for the erudition of Autechre. Of these gems, Gridlock’s Further might be the crown jewel. Some of the songs consist only of wintry synth washes that evoke a tone of desolation, while other tracks are obliterated by blasted, broken beats of sculpted white noise. Gridlock’s later work would emphasize this ambient aspect while using a more conventional midtempo rhythmic structure, but here the beats are ugly and extravagant.

It’s hard to believe this was released ten years ago. Unfortunately, the intervening years have seen Gridlock’s ambient/noisy duality contribute to the dumb powernoise cliché of alternating soft and loud tracks on an album. Parties guilty of following that trope should take another listen to this album and hear how it's done.

[YouTube] Gridlock – Sever

Gridlock – Further [1999]
01 - From Zero
02 - Ash
03 - [Untitled]
04 - Sever
05 - [Untitled]
06 - Cramp
07 - Without
08 - [Untitled]
09 - Here
10 - Further
11 - Egeszeges
12 - Scrape
13 - Under
14 - Ash [KSP remix]
15 - Enzyme [Dryft remix]

Blind Lemon Jefferson – King of the Country Blues [1990] (Compilation of songs from the late 1920s)

In the first few decades of this century, most commercial blues singers were women – Bessie Smith and Ma Rainy are two well-known examples.  Noted for his intricate guitar technique, Blind Lemon Jefferson was one of the first men to find success in the style, and served as inspiration several other noted Texas bluesmen, including personal favorites Leadbelly and Lightnin' Hopkins.  While other musicians have adopted similar playing techniques, few choose to imitate his high, almost ghostly singing.  That’s a shame, as that lonely-sounding timbre is an appropriate fit for his mournful subject matter.
This compilation was released by Yazoo records, who at the time refused to filter the 78 RPM sources in order to minimize the hiss and pop of the records.  This means that each song emanates from beneath a light haze of noise, but in my opinion it only adds to the character of the songs.

[YouTube] Blind Lemon Jefferson – See That My Grave is Kept Clean

Blind Lemon Jefferson – King of the Country Blues
01 - That Crawlin' Baby Blues
02 - Bad Luck Blues
03 - Matchbox Blues
04 - Hot Dogs
05 - One Dime Blues
06 - Shuckin' Sugar
07 - Rabbit Foot Blues
08 - Corrina Blues
09 - See That My Grave Is Kept Clean
10 - Easy Rider Blues
11 - Broke And Hungry
12 - Black Horse Blues
13 - Lonesome House Blues
14 - Oil Well Blues
15 - He Arose From the Dead
16 - Beggin' Back
17 - Prison Cell Blues
18 - Rambler Blues
19 - Gone Dead On You Blues
20 - Wartime Blues
21 - Booger Rooger Blues
22 - Right of Way Blues
23 - Big Night Blues

Soil & "Pimp" Sessions - Pimp of the Year [2006]

I've got a terrible, dirty secret....  I don't like jazz.  As far as western music is concerned, it's the only major genre that I haven't yet "cracked."  For some reason, I never found the band or artist that I could listen to long enough to temper my ear, to give me the ability to read other jazz artists.

That may have changed.  Soil & "Pimp" Sessions (I don't know what that means either) is a group of Japanese kids who play fast and tight, using considerable melodic and harmonic dissonance without losing a sense of tunefulness.  I wish I could provide a more apt description, but as I said, Jazz is a new world to me.  All I know is that this is a badass album.

[YouTube] Soil & "Pimp" Sessions - Crush

Soil & "Pimp" Sessions - Pimp of the Year

01 - Memai

02 - Summer Goddess

03 - Worldwide

04 - Crush!

05 - Sabotage

06 - Scoop Out

07 - Sahara

08 - Ha Hen (Splinter)

09 - The Black Widow Blues

10 - The White Widow

11 - I-Rony

12 - Last Long

13 - Satsuriku New Wave

Cubanate – Barbarossa [1996]

Marc Heal and Phil Barry, the duo that make up Cubanate, marry high speed techno to industrial-influenced metal, and makes a glorious racket in the process.   Guitar riffs, played both on real electric instruments and by synthesized pads (though it can be difficult to tell one from another), are cranked up to a punk rock tempo and underpinned by a furious dram machine assault.  It's notable that, at a time when most of Cubanate's coldwave peers were programming drum machines to a simple and speedy rock or dance beat, the duo were creating some brutal but complex and refined techno.

[YouTube] Cubanate – Barbarossa

Cubanate - Barbarossa
01 - Vortech I
02 - Barbarossa
03 - Joy
04 - Why Are You Here
05 - Exultation
06 - The Musclemen
07 - Come Alive
08 - Vortech II
09 - Lord of the Flies

Kaki King – Everybody Loves You (2003)

My introduction to Kaki King was a performance on Conan in 2003 or 2004.  It began inauspiciously; one young girl with her head down, hair hiding her face from the camera, slouched over an acoustic guitar held flat in her lap.  Without a word of introduction she began to play, and the sound was something I hadn’t heard before.  The song was from this, her debut album, on which every track but the last features only her solo acoustic guitar.  King often plays percussively, making liberal use of slapping and striking.  She also favors harmonic runs over traditionally strummed chords, lending the denser pieces a fragile ornamentation.  Critics have cited the lack of conventional melody as a weakness of this piece, but that seems unfair – this type of playing is more about texture and timbre than melody, though it is much more akin to folk than twelve tone music.  Those who characterize the acoustic guitar as an intimate or tender instrument may have trouble adjusting to the heady contents of this album.
I’d lost track of Kaki King in the last several years, and in doing a bit of research for this post, I found that she tours with a full band these days, and has played with the likes of the Foo Fighters and Tegan & Sara.  I’ll have to check out her latest sometime.

[YouTube] Kaki King – Close Your Eyes and You’ll Burst into Flames

Kaki King – Everybody Loves You
01 - Kewpie Station
02 - Steamed Little Juicy Bun
03 - Carmine St.
04 - Night after Sidewalk
05 - Happy As a Dead Pig In The Sunshine
06 - The Exhibition
07 - Close Your Eyes and You'll Burst Into Flames
08 - Joi
09 - Everybody Loves You
10 - Fortuna

Carpathian Forest – Fuck You All!!! Caput Tuum In Ano Est [2006]

Time for some fucking metal!  Carpathian Forest built their reputation on keeping black metal stripped down and primitive, the Great Black Hope for kvlt kids who scoffed as their once-favorite band had the temerity to grow and evolve.  However, Fuck You All!!! is punky, chunky, rock n’ roll oriented black metal that keeps riffs short and makes blastbeats a tool instead of the whole trade.  Those same kids were probably pissed upon hearing it, and with a latin subtitle that translates roughly to “Your head is up your ass,” it’s pretty obvious that the band didn’t care. 

[Youtube] Carpathian Forest – Diabolism (live version)

[MySpace] http://www.myspace.com/blackshiningleather

Carpathian Forest – Fuck You All!!! Caput Tuum In Ano Est

01 - Vi Apner Porten Til Helvete

02 - The Frostbitten Woodlands of Norway

03 - Start Up the Incinerator (Here Comes Another Useless Fool)

04 - Submit to Satan!!!

05 - Diabolism (The Seed and the Sower)

06 - Dypfryst Dette Er Mit Helvete

07 - Everyday I Must Suffer

08 - The First Cut is The Deepest

09 - Evil Egocentrical Existentialism

10 - Shut Up, There No Excuse to Live

Guillaume Dufay – Chansons [Performed by Ensemble Unicorn, 1996]

Guillaume Dufay was a fifteenth century composer who worked for most of his life in northern France.  Regarded even in his lifetime as that era's premiere composer, Dufay’s oeuvre contains elements of both the high Medieval and early Renaissance, managing the difficult balancing act of innovating while staying rooted in tradition, and getting contemporaries to appreciate it.

The songs presented on this album are secular, and consequently are more forward-looking.  The track list alternates between instrumental and vocal performances, though it must be said that the vocal pieces best display the rich and tuneful polyphony for which Dufay is known.  The instrumental tracks muddy the interplay of voices (at least to my uncouth modern ear), but the use of period instruments is still a treat.

[Youtube] Dufay - Ce Jour De L'an 

Guillaume Dufay – Chansons

01 - J'ay Mis Mon Cue

02 - Par Droit Je Puis Bien Complaindre

03 - Quel Fronte Signorille - La Dolce Vista

04 - Puisque Vous Estez Campieur

05 - Belle, Que Vous Ay Je Mesfait

06 - Vergene Bella

07 - Se La Face Ay Pale

08 - Donnes L'assault À Ia Fortresse

09 - Par Le Regard De Vos Beaux Yeux

10 - Resvelons Nous

11 - Ce Jour De L'an

12 - Mon Chier Amy

13 - Pour L'amour De Ma Doulce Amye

14 - Helas Mon Dueil

15 - Bon Jour, Bon Mois

16 - Resvelliés Vous Et Faites Chiere Lye

17 - Adieu Ces Bons Vins De Lannoys